(You can choose whether to allow people to download your original PowerPoint presentations and photo slideshows for a fee or free or not at all.) Check out today - for FREE. Most of the presentations and slideshows on are free to view, many are even free to download. We'll even convert your presentations and slide shows into the universal Flash format with all their original multimedia glory, including animation, 2D and 3D transition effects, embedded music or other audio, or even video embedded in slides. That's all free as well!įor a small fee you can get the industry's best online privacy or publicly promote your presentations and slide shows with top rankings. Or use it to create really cool photo slideshows - with 2D and 3D transitions, animation, and your choice of music - that you can share with your Facebook friends or Google+ circles. Or use it to upload your own PowerPoint slides so you can share them with your teachers, class, students, bosses, employees, customers, potential investors or the world. With piano by Krystian Zimerman, accompanied by London Symphony Orchestras under the steady hand of conductor Simon Rattles. Just listen to the third movement in Beethoven’s Piano Concerto No. I15 Prisma does a good job of communicating the instruments. To bring out all the nuances and layers of strings, brass and woodwinds. Photo: Geir Gråbein NordbyĬlassical music places great demands on the resolution of an amplifier. The remote control feels is nice in the hand, but has some very small buttons and symbols. The Primare amplifier can play quite loud as well, so that the room is filled with delicious tones. In fact, firmer in the bass than the Lyngdorf TDAI-1120. Because while it is not as bass-strong as the Cambridge Audio Evo 150, it is both tight and resilient. And where I feared that I15 Prisma would let go of the bass, it actually does not. It deserves a good amplifier that can keep a firm grip on what is happening. But, still, what a great sound overall! There are not many amplifiers GBP 2,000 kroner that bring out the details in the music in this way, without sounding fake.į2020 of Avenue Beat in remix version, with Jessie Reyez on guest vocals, has wonderful bass rhythms. The bottom could have come out even better. The breathing from the pedals could have had even more presence, and a speaker change to the floor-standing Sonus faber Olympica III confirms this. The deepest bass tones from the piano do not get as much focus. The contrasts between Swift and Vernon come out well, and the music is largely allowed to come out as it is recorded. Where the Dynaudio speakers with some amplifiers can sound a bit round and polished, the focus is kept. The voice of Justin Vernon (Bon Iver) on Taylor Swift’s sore ballad Exile is reproduced very clearly and distinctly, and the characteristic rasping of the vocal cords comes out exceptionally well. Primare I15’s biggest advantage is its laser-sharp midrange reproduction. A nice cover image of the album you listen to would have been nice. But the font in the display could well have been even a little bigger and clearer, and I miss graphics. The sound level at each input can also be trimmed so that all sound sources have the same sound level.Įase of use is good, the remote control feels nice in the hand, albeit with some small buttons and symbols. That is, where you play music.Įach input can have a locked or variable volume level, nice if you want to connect the front channels from a surround processor to an input on the amplifier, for example, to include it in the signal chain. You can also select Auto Sense so that the amplifier is automatically set to the input that receives the signal. |
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